Not so much for the gears and circuits and construction of it, but the uses and abuses we put it to in our daily lives. One of the technologies I always enjoyed was photography. From the Kodak brownie of my youth through Polaroids, and Instamatics to video cameras, and then digital still and video cameras, memorializing life through photography has always been fun. In fact, the photo on this post is just a quick round up of cameras in my house showing a motion picture camera from the 1930 that my Dad used through the early 1960s, a Kodak Rainbow camera that’s about 100 years old, a stereopticon used for home entertainment and assorted digital cameras including a flip video.
Yesterday I read that Kodak was discontinuing the production of their Kodachrome film after a 74 year run. Developed in 1935, Kodachrome was the first commercially successful color film, and grew to be loved by still and motion picture photographers. 46 years ago Abraham Zapruder used it to film the assassination of President Kennedy, and 36 years ago, the country rocked to Paul Simon’s ode to Kodachrome.
It got me thinking
The box camera was a neat invention. When George Eastman forst sold it 128 years ago, it was loaded with enough film for 100 exposures. The price of the camera was $25.00 and the cost to develop the film was $10.00 (consumers needed to send the entire camera back to the lab for development, where the film was removed from the light tight container, and a new roll of film was installed, before the camera was sent back to the consumer with their developed prints).
The next step was the growth of home based darkrooms where amateur photographers could manipulate the photos through the tricky and often complex process of developing and exposing the film to morph the photo into an artistic expression of the photographer’s vision. Using more light or less light, or different chemical mixes could help the talented amateur achieve great results.
But that’s not the case..
Today we’ve lost that experience along with the need to process our film after the event is concluded and the camera has returned home. Our phones and cameras let us review our work immediately and to manipulate the figures through our online service like Flickr or on our computer. But our ability to use technology to help us express ourselves or share beauty or family experiences has grown so exponentially that I am willing to trade the “darkroom experience” for the ease of manipulating digital photos or videos. And to trade the photo album for photo sharing.
When Eastman sold his first box cameras, photos were moving from being formal to being pat of our daily lives. But when they were taken, we put them in albums and saved them for later. Of course we might share photos in a small way by making a copy for Mom or Dad or some other family member, but photos were taken by us, for us, displayed often, but taken out only rarely once they had been put into an album.
Photos are for Sharing
Today taking photos is really more about sharing our experience and vision than it has ever been. Teresa Boardman showed me that Flickr was not a place to store digital images, or to mine for graphics through creativecommons.org , but a community of people that share their experience and vision through their common use of digital photography. Since she opened my eyes, and I began sharing more of my photos of Flickr, I have met new folks, joined groups that commented on photos that I took, had one of my photos published in an online travel guide, and viewed tons of awesome photos taken by others that gave me ideas for my own photos and inspire me to take more and better pictures (and sadly I’m pretty syre that it will be in that order).
So let me share my epiphany with you and suggest that you might also enjoy some sharing and viewing in this new world of photography. We might have lost Kodachrome, but what we’ve gained seems much more significant to me – What do you think?
