HomeLight and AgentMatch offer agent transaction data to consumers
(AGENT/GENIUS) – Launched in 2012, HomeLight is a search engine for agents, or an agent resume, as founder Drew Uhler likes to describe it, offering a unique blend of real estate agent transaction data and consumer reviews, monetized by agent referral fees. Funded to the tune of $1.5 million by Google Ventures, Crosslink Capital, Innovation Endeavors, and unnamed angel investors, it is in the Inman Incubator program, and is to be showcased in the Startup Alley at Inman Connect in New York City in January 2014.
Three weeks ago, Inman News introduced AgentMatch, shaping the conversation by focusing squarely on the negative reactions from agents (AgentMatch is the new site by Realtor.com that provides listing agent transaction data for the last six months in a consumer search site with no referral fees for agents). In seven articles written by Inman News on the topic, primarily negative in nature, not once have they disclosed their affiliation with Inman Incubator company, HomeLight, a product that shows production levels, similarly to AgentMatch. It is possible that this is a repeated unintentional oversight by Inman News, assuming readers should already know the company’s financial relationships.
In the seven stories, HomeLight was first referenced by writer Paul Hagey as “Google-backed HomeLight,” a phrase later repeated in a story quote by Move Inc.’s CRO, Errol Samuelson, however no possible conflict of interest was disclosed by Hagey or fellow writer, Andrea V. Brambila in their stories.
In the seventh article, founder Brad Inman penned a piece called “Taking a stand on agent data,” failing to disclose his company’s affiliation to HomeLight, nor their long-term sponsorship agreement with Move, Inc. Negative reviews are a critical part of news coverage, but the problem here lies in the seven articles where no comparison was made to an Inman-supported competitor, and no disclosures offered, which is exactly how the news industry offers fair coverage and makes clear the possible conflicts of interest.
The reason we wrote about AgentMatch is not because Realtor.com sponsors a few of our events, but because it can’t be gamed by agents – the very reason we never covered HomeLight, yet another agent review site. The other reason we steered clear of HomeLight is because it is disconcerting for Google to have agent data, even if only transaction histories – imagine your entire transaction history as part of your Google+ profile or Google flips a switch on property data retrieval (they have the closing data, why not offer AVMs? or what if your productivity statistics have an impact on your search engine rankings?).
This is all pure speculation and educated guesses, and at this point Google is only an investor, but the point is that agents have no control over the final resting place of their data when entrusted to third parties, whereas Realtor.com’s ultimate responsibility is to real estate professionals under their operating agreement with the National Association of Realtors.
The angst is real
We believe that angst among real estate professionals is very real, but in large part, it is being guided by an Inman argument, and framed in a way to exclude comparison to a product with similar functionality, fanning the flames toward AgentMatch and away from Inman Incubator and Inman Connect Startup Alley participant, HomeLight. It remains curious that when HomeLight launched and Inman covered it extensively, there was no controversy or outrage from the real estate community, creating the perception that the introduction of AgentMatch was designed to incite controversy, potentially providing cover to and benefiting HomeLight.
Getting to know HomeLight
The landing page touts that you can find the “perfect agent based on expertise,” stating that they have two million real estate agents in their database, serving 34 markets, a far cry from AgentMatch’s two pilot MLSs which allows no reviews to influence their algorithm. Let’s take a photo tour of how HomeLight works. Click to enlarge any photo below, as we take you through how the site works. We walk through a search for an agent in Austin, where we are headquartered:
Searching for an agent – method 1
There appear to be two common methods for finding an agent on the site, and one method is by selecting a popular city in the footer of the main page. Here’s how it works:
Below features the “top agents,” and the top two are very well liked top producers in the city that happen to be team leaders. This type of result is one of the main objections agents have against AgentMatch, yet here we are, looking at HomeLight which was put in a positive light by industry news writers.
And if you’re an agent, you can claim your profile
Finding an agent – method 2
So where do they get the data?
In order to get the data, HomeLight is partnered with brokers of record to pull MLS data, but HomeLight does not operate as a brokerage. The transaction data allows the algorithm to narrow down agents for the consumer, and appears to go back as far as 2009.
Reviews improve agents’ rankings on the site
The second part of the algorithm, and apparently a substantial part of the algorithm by all accounts, is reviews that agents receive through the site, so HomeLight is urging agents (especially new agents) to solicit reviews from all clients, which HomeLight says can improve agents’ rankings on the site. HomeLight says they verify reviews, either through the agent directly or by commenters’ claimed address, which they can cross reference with transaction data.
It is not a perfect system, however, and can potentially be gamed (Joe at 123 Main St never reviewed his agent, so an agent can go in and falsify a review, say they’re Joe, claim 123 Main St, and affirm it’s legit when HomeLight asks). Agents that disagree with the accuracy of a review can appeal and HomeLight promises to investigate the matter, which is tremendously helpful, but tricky – a pothole Yelp stepped into several years ago.
Show me the money
The monetization strategy is much like other agent rating sites, wherein referral fees are paid at closing by agents who receive a lead through the site, but the company will not publicly say how much these referral fees are, as they likely vary by market.
Like other sites that match agents and consumers, there are holes, for example, agents that focus on off-market listings (pocket listings, and sometimes new home construction) aren’t given credit and can lose out to competitors, and team leaders are often given credit for the group’s closings even though a handful of agents touched the transaction (as seen above in the list of top listing agents in Austin), and team members’ numbers dwindle in comparison.
But unlike many competitors, HomeLight offers an opt out process so agents can remove themselves from their website, but not necessarily from data stored on HomeLight servers. This highlights, yet again, the uncertainty attached to a third party being given industry data.
Our only dog in this race are members, and our policy has always been, when in doubt, we default to the consumer if the benefit to membership is unclear, and when it benefits the consumer, it ultimately benefits the membership. That said, we have never supported blindly giving data to third parties when arms of the membership (like Move, Inc.) which are beholden to members, can provide the same service.
Update: on November 29th, we redacted the phrase “labeled as news rather than opinion” from this editorial.
Culture can be defined by what employees don’t say
(OPINION) What your employees say defines your business. What your employees don’t say defines your culture.
Whether the boss realizes or not, employees – the folks who often manufacture, handle, and sell the products themselves – can see sides of the business that management could easily overlook, including potential risks and improvements. So how do you make sure your employees are speaking up? A new study by Harvard researcher Hemant KakkarSubra Tangirala reveals that when it comes to speaking up, your company culture is probably either encouraging or discouraging it.
Tangirala wanted to compare two theories as to why employees choose to stay quiet when they could share their worries or ideas with company management. The “personality perspective” presumes that shy, reticent employees simply don’t have the gumption to speak up; therefore, the way to get more perspective from your employees is to make a point to hire extroverted people.
Meanwhile, the “situational perspective” posits that the company culture may either be encouraging and even expecting employees to speak up or discouraging it by creating an environment wherein employees “fear suffering significant social costs by challenging their bosses.”
In order to test these two theories against one another, Tangirala surveyed nearly 300 employees and 35 supervisors at a Malaysian manufacturing plant. First, the survey measured each employee’s “approach orientation,” that is whether or not, all things being equal, they had a personality more inclined to speaking up or staying mum. Next, employees were asked whether they thought their input was expected, rewarded, or punished. Lastly, supervisors were asked to rank the employees as to how often they spoke up on the shop floor.
The survey showed that both personality and the work environment significantly influenced whether or not an employee would speak up – however, it also showed that environmental factors could “override” employees’ natural inclinations. In other words, if employees felt that they were expected or would be rewarded for speaking up, they would do so, even if they aren’t naturally garrulous. On the other hand, even the most outspoken employees would bite their tongues if they thought they would be punished for giving their opinion.
The study also identified two major areas wherein employees could be either encouraged or discouraged from sharing their perspective. First, employees can be encouraged to suggest improvements or innovations that will increase workplace safety and efficiency. Secondly, employees should be expected to speak up when they witness dangers or behaviors that could “compromise safety or operations.”
Although the study was limited, it seems to point towards the importance of creating a workplace culture wherein your employees are rewarded for speaking up. Doing so could potentially provide you with invaluable insights into how to improve your business – insights that can only come from the shop floor.
How to change your negative mindset into something of value
(EDITORIAL) Once you’re an expert, it’s easy to get caught in the know-it-all-trap, but expertise and cynicism age like fine wine, and can actually benefit you/others if communicated effectively.
In conversation with our friend John Steinmetz, he shared some thoughts with me that have really stuck with us.
He has expanded on these thoughts for you below, in his own words, and we truly believe that any individual can benefit from this perspective:
Over the last few years I have realized a few things about myself. I used to be trouble, always the dissenting opinion, always had to be on the opposite side of everyone else.
Then, I started reading everything I could get my hands on dealing with “how to change your attitude,” “how to be a better team player,” etc.
Over the course of that time I realized something. I realized that there was nothing wrong with me, only something wrong with how I communicate.
Unfortunately, once someone sets the context of who you are, they will never see you as anything else. I was labeled a troublemaker by those who didn’t want to “rock the boat” and that was that.
In my readings of books and articles by some of the most prominent technical leaders, they all had something in common. Paraphrasing of course, they all said “you can’t innovate and change the world by doing the same thing as everyone else.” So, in actuality, it wasn’t me, it was my communication style. For that reason, you have to say it out loud – “I will make waves.”
There are two things I reference in physics about making waves.
- “A ship moving over the surface of undisturbed water sets up waves emanating from the bow and stern of the ship.”
- “The steady transmission of a localized disturbance through an elastic medium is common to many forms of wave motion.”
You need motion to create waves. How big were the waves when the internet was created? Facebook? Just think about the natural world and there are examples everywhere that follow the innovation pattern.
You see it in the slow evolution of DNA and then, BAM, mutations disrupt the natural order and profoundly impact that change.
Where I was going wrong was, ironically, the focus of my career which is now Data. For those who do not know me, I am a product director, primarily in the analytics and data space.
More simply: For the data generated or consumed by an organization, I build products and services that leverage that data to generate revenue, directly or indirectly through the effectiveness of the same.
I was making the mistake of arguing without data because “I knew everything.” Sound familiar?
Another ironic thing about what I do is that if you work with data long enough, you realize you know nothing. You have educated guesses based on data that, if applied, give you a greater chance of determining the next step in the path.
To bring this full circle, arguing without data is like not knowing how to swim. You make waves, go nowhere and eventually sink. But add data to your arguments and you create inertia in some direction and you move forward (or backward, we will get to this in a min).
So, how do you argue effectively?
First, make sure that you actually care about the subject. Don’t get involved or create discussions if you don’t care about the impact.
As a product manager, when I speak to engineering, one of my favorite questions is “Why do I care?” That one question alone can have the most impact on an organization. If I am told there are business reasons for a certain decision and I don’t agree with the decision, let’s argue it out. Wait, what? You want to argue?
So, back to communication and understanding. “Argue” is one of those words with a bad connotation. When quite simply it could be defined as giving reasons or citing evidence in support of an idea, action, or theory, typically with the aim of persuading others to share one’s view.
As many times as I have persuaded others to my point of view, I have been persuaded to change mine.
That is where my biggest change has occurred.
I now come into these situations with an open mind and data. If someone has a persuasive argument, I’m sold. It is now about the decision, not me. No pride.
Moving forward or backward is still progress (failure IS an option).
The common thought is that you have to always be perfect and always be moving forward. “Failure is not an option.”
When I hear that, I laugh inside because I consider myself a master of controlled failure. I have had the pleasure to work in some larger, more tech savvy companies and they all used controlled experimentation to make better, faster decisions.
Making waves is a way of engaging the business to step out of their comfort zone and some of the most impactful decisions are born from dissenting opinions. There is nothing wrong with going with the flow but the occasional idea that goes against the mainstream opinion can be enough to create innovation and understand your business.
And it is okay to be wrong.
I am sure many of you have heard Thomas Edison’s take on the effort to create the first lightbulb. He learned so much more from the failures than he did from success.
”I didn’t fail. I just found 2,000 ways not to make a lightbulb; I only needed to find one way to make it work.” – Thomas Edison
It is important to test what you think will not work. Those small failures can be more insightful, especially when you are dealing with human behaviors. Humans are unpredictable at the individual level but groups of humans can be great tools for understanding.
Don’t be afraid
Turn your negative behavior into something of value. Follow these steps and you will benefit.
- Reset the context of your behavior (apologize for previous interactions, miscommunications) and for the love of all that is holy, be positive.
- State your intentions to move forward and turn interactions into safe places of discussion.
- Learn to communicate alternative opinions and engage in conversation.
- Listen to alternative opinions with an open mind.
- Always be sure to provide evidence to back up your thoughts and suggestions.
- Rock the boat. Talk to more people. Be happy.
A special thank you to John Steinmetz for sharing these thoughts with The American Genius audience.
Why tech companies should embrace Artist Residency Programs
(EDITORIAL) With technology founders wiping themselves with money while also truly caring about culture and inclusion, they’re missing a huge opportunity by ignoring artist in residency programs. Even Amtrak does it – come on, y’all.
There’s a ton of cash in the tech industry. Like, more money than your primate brain can process, like “get-the-country-out-of-debt” money – Scrooge McDuck swimming in gold levels of cash. That’s how profitable technology has become.
And we’re not just talking laptops and smartphones, either. All of those monthly subscriptions you’re not thinking about, the Hulu, Netflix, Microsoft Office, that extra storage for your MacBook or iPhone, that’s all got a name: Software as a Service (SaaS) and with major players like Apple and Disney upping their stakes in the game – this model ain’t going anywhere.
Our thermostats are connected to our iPhones, and our cars are plugged into a matrix that’s fed into the Internet. Everywhere you look, the tech industry is changing everything. Everyone has a smartphone, a tablet, and a laptop, or a television that’s Internet-enabled.
And for everything that’s connected to the Internet, someone’s making a buck.
According to CTA, the tech industry will make $398B this year, and The Big 5 – Google, Apple, Amazon, Microsoft, and Facebook are worth a combined three trillion dollars. What do these companies do with all of the cash?
These companies typically pay well. To hire the best, workers want a payday. That’s fine, everyone who bangs at their job should get their slice of the action. After that, companies invest in culture and hiring that next tier of top talent. But, after the company offsites in a wooded cabin, the multi-million-dollar research projects, and the fully covered healthcare are accounted for, there’s still dough to play with.
Let’s get creative.
A lot of the more prominent tech companies have established that giving back is critical to their mission. Teams do charity work, they fly to other countries to help build schools; all kinds of amazing wonderful things are happening thanks to some of the world’s biggest players.
But what if those same companies established a new precedent – What if they established artist in residency programs?
One of the greatest professional experiences of my life was working for Atlassian and traveling between the Austin, San Francisco, and Sydney offices. While I was there to write for them, I’m still a writer, I always worked on my stuff. I’ve written in cafés in North Beach after browsing City Lights books where Ginsburg stomped his feet. I’ve been in bookstores in Sydney, never taking for granted for a second that I was beyond lucky to have this chance; that experience opened up a world that money had prevented me from exploring.
Can you imagine being allowed to fly to another office to work in a different environment, just for a change of scenery? It’s staggering what a comprehensive program could do for the arts community. The money and infrastructure is there, and so long as companies continue their dedication to paying it forward, this should be an added flavor to that mission.
This might sound like a shocker, but most of your friends who pursue art for a living ain’t exactly making windfalls of cash.
Most artistic types are freelancers or have multiple side hustles – they wait tables, or slug away in the bars, they cut corners on life’s everyday expenses in pursuit of their art. Your average painter, cartoonist, writer, filmmaker, they’re all chasing the project that gives them a chance to make their art their living. The problem is, for most creatives, it’s a dog chases its tail kinda life and that tail ain’t getting any longer or tastier.
How would it work?
Companies should work with the Alliance of Artist Communities (AAC) and set up a residency program. The AAC had been setting up residencies across the country for years, so while this is a feel-good philanthropic endeavor, the organization knows every tax break and loophole out there.
And realistically, the AAC has to, considering the culture of treating the arts in our communities is seen more of a begrudging, “we should probably do this” offense rather than an important investment. Most artistic programs receive pennies on the dollar, and most creatives live hand to mouth in pursuit of their dreams, and for many tech founders, the story is relatable, only they’re masters at problem-solving. Creativity doesn’t have to be pen to paper and the outcome being a funny doodle of a dog riding a skateboard, the creative mind is our innate core, we’re programmed to search for inventive ways to solve problems.
We just turn it off as society deems creativity an expendable commodity.
Creativity shouldn’t be relegated as frivolity, but essential.
In the world of artistic residences, paying bills is an issue. So, many programs have to drum up funds, find donors, seek out worthwhile endowments, search for tax breaks. Many are non-for-profits because they need grants for just about everything.
But in tech, cash is there aplenty.
Instead of throwing a Christmas party with a $100K budget for each office around the world, that money could be better spent on social enrichment. I’ve worked in the tech world for the past six years, and I’ve seen a lot of wasteful spending. While I love a good massage chair experience, that money could have been spent elsewhere versus giving staff of over three hundred already fabulously well paid people fifteen minutes of “me time.”
For one year or whatever predetermined amount of time, a company would allow a creative in their city to “join the team.”
What’s that look like?
Allow someone to create in these offices that are more like adult Disney World with their free snacks, open collaboration, catered meals, and endless perks. Give an artist a space that was once a small meeting room and let them do their thing.
The culture aspect of a creative being dropped in the average technology environment would blow their minds – most tech companies strive for diversity and inclusivity, and this program would be a brushstroke in that palette of reasoning.
By giving the creative the chance to mix it up with people who think in code, in marketing campaigns or how to “disrupt the market,” the influence would be impactful: a developer might become a nature photographer, or maybe a mixed media artist helps the marketing team see a problem from a different point of view. If there are anything companies in tech suffer from, it’s a little too much inward focus.
Change everything with a pen stroke.
Some campuses are so big (Facebook, Apple to name just two), they could support two or three artists at a time.
Indeed, Atlassian, Oracle, Uber, Lyft, all have multiple offices around the world. Imagine an extroverted painter working in a common room, while people move to and from meetings, getting that flash of inspiration, even if minute.
Maybe instead of continually talking about code depositories or the next sprint, people got hip to new books? Maybe an essayist learns how to use Trello to manage their weekly pitches or maybe even further, they learn about how agile principles work could make their processes more manageable?
And while this person is getting paid, maybe they’re earning more money than they’ve ever seen. What if someone who’s always worked minimum wage jobs were given an $80K gig to create? Sure, you’d need to coach them on saving up for when the program is over, but for that period, being restricted to the dollar menu wouldn’t be everyday life.
The results would be staggering. The average working artist has to grind while others are asleep, early in the morning or late at night, they find ways to communicate their feelings, but while still making sure rent is on time.
Companies could establish an annual open competition where artists of whatever designated mediums submit their work.
Maybe it’s film or painting, or gosh, even a writer. But for that year, the winner gets to attend the fun parties, the culture building events, but most importantly gets paid well for their residency.
If the competition is opened up beyond the borders of the company’s home base, that works, too. Most bigger companies have a few corporate apartments that are barely used. Giving someone a room wouldn’t be that big of a deal.
Artists could donate their skills to workshops, creative programming, even create art specifically for the space. Most offices anywhere could use a little freshening up, or at least an ongoing blog series, something.
As for the perception of “selling out” the artistic culture has changed, where it was once punk rock to keep everything as DIY as possible, most of us creatives are fighting against a sea of other talented people all of the time, the chance for exposure on a bigger level, but also being financially free is worth wearing a few corporate branded t-shirts. And honestly, tech companies generally aren’t as gross as the old school monoliths of the past, most of the executive boards are made up of actual people who started from the bottom.
As my friend Jason Saul of BirdNote once told me, “don’t think of it as ‘selling out’ we’re in a hip hop-driven culture, you’re blowing up.”
There are residency programs on farms, a recycling center in SF, in the woods, the Florida keys, Amtrak got into the residency game for a while, just as Padre Island in Texas, the national parks all have them, even the CERN large hadron collider has an artist in residence program.
To double-down even further, even The Mall of America, the place where you can buy a corn dog or visit one of five Victoria’s Secret stores (who needs that many panties?) or ride a rollercoaster, has an artist in residence program.
The artist is given $2500 for a week, plus a hotel room and are allowed to roam the mall 24/7. LaGuardia airport in New York rehabbed an old Hudson News and converted it into a kiosk to people watch and create, so why not the tech companies who purposely set up shop in buildings in the heart of downtowns across the world or amongst trees in sprawling acreage?
This is possible.
Who’s going to be first?
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